It is raining today in Connecticut. The children waiting for the school buses this morning were clad in rain jackets and protective parents held their umbrellas over their impossible to still children. Cars plowed through the puddles creating splashes that made those efforts to stay dry futile anyway. No matter, everyone was smiling. We are grateful for this wonderful replenishing rain.
Long strings of sunny days are a wonderful thing, but we all know that without the rain we perish. The soil needs moisture, and so do we. Sometimes, we even need the break from activity that the rain might postpone. Rain not only nourishes, but it balances us, and makes us question our devotion to blue skies.
I know, I’m going on too long about the rain (I’m just so happy to see it), but it has got me thinking about the kind of balance we try to achieve in all educational settings. We are charged with educating our students about all manner of things – things that are complicated, things that don’t have clear answers, things that are impressive, but not yet done. This is an exciting and daunting responsibility that requires us to be able to celebrate both the sun and the rain.
Consider the work that science faculty must do. Discoveries in science require theories, hypotheses, experiments, results, new hypotheses, and ultimately new theories. All of this is natural for scientists; they see no problem with this cycle. For the uninitiated, though, the certainty of scientific results is shaken by any real understanding of this process. All scientists and students of science must find ways to embrace the temporary nature of our certainty. Each new breakthrough is a miracle that should be celebrated, but also distrusted. For those who find the balance, the path to the next set of questions is the win. They find a way to enjoy the wins (and the knowledge generated by the losses), while maintaining the absolutely necessary skepticism about what they think they know.
Then there are faculty charged with educating our future artists. Learning to be an artist requires a balance of technique, inspiration, and context. Faculty and students in the arts move from the position of the paintbrush, the horn, the toe, to the traditions of the genre, to the reinvention of the rules, often in the same sentence. For the uninitiated, though, art is all opinion and talent, without any of that hard work or precision. In fact, the most successful artists make all of the hard work invisible. The challenge for faculty is not just about convincing students to do the hard work, (counteracting the cultural narrative), it is also about doing so in a way that makes room for the inspiration and yes, talent. The critiques that are central to the creative process must help students find their way to excellence, not make them feel lesser. It is a balance of celebrating success and finding the path forward from the failures.
Ok, I’ve stalled long enough; then there is history. By history, I mean the history of everything-social structures, political structures, art and invention. Oh boy, how we’ve politicized this! Whenever we are charged with guiding students through the past to where we are today, we are going to be stepping into some tricky waters. Our histories are full of awe-inspiring moments. I’m particularly happy about the revolutions that were supported by the invention of the printing press (things like the way we do science, the way we imagine individual and human rights, the way in which governments are formed, come to mind). Understanding the importance of contact between different groups of people, how their ideas about right, wrong, medicine, or art interact with each other is both fascinating and sometimes unsettling. There are exciting tales to tell. But of course, there are no histories or societies without great achievements and great failures.
For those in the humanities and the social sciences, this is obvious. They are adept at examining the complexities of how right, or good, or even success is defined. They are also adept at seeing problems in our assumptions and places where work still needs to be done (and work always needs to be done). It is incredibly important that they have open and honest conversations with their students about the good, the bad, and the ugly that we find in our histories and social structures. They must be fair about the ambiguity in what they see and acknowledge that the meanings ascribed today are likely to change tomorrow as we learn more and expand our thinking. They work to elicit thoughtful critiques and ideas from their students and wrestle with the contradictions those observations may reveal. And, like their colleagues in science and in art, it is important that they help their students find the joy in the good stuff and the path to improvement for the not so great stuff – perhaps with some inspiration and talent.
Eboo Patel describes some of what I’m trying to get at in his essay: Teach Students to Be Builders, not Critics. Patel argues that criticism only goes so far, students need a path to action. I agree with this, although I think more of this is happening in our classrooms than is widely understood. Still, it is a good reminder that as we insist on the fullness of conversations that should happen in all of our disciplines, conversations that must include the failures and the successes, we should always help our students imagine themselves building something better. It is a balance of skepticism and optimism that we hope to strike.
So, I’m back to the rain. Some will curse it as their plans are cancelled, but most of us recognize the essential role it plays in our lives. Those streams we swim in are re-filled, those forests we walk through are lush again, that day of rest from our ballgame is healing our muscles. We can embrace the balance of sun and rain. Let’s also embrace that balance of the great and the awful in our histories and our capacity to grow; the discoveries that cure our ills and and the knowledge gained from those that ended in disaster; the inspirations that brought forth breaktaking new performances and those that resulted in giant ugly messes, from which new inspiration will certainly arise.
Embracing failures, mistakes, and limits are all essential to learning. So is the excitement of being able to see the next question, the place for improvement, the path forward when nothing seems to be working. Dedicated faculty all over the world are starting the fall term, striving to achieve the right balance between those essential pieces of a good education. Balancing them is the complexity and the joy of this profession. It is the sun and the rain.
